This is a very strange mindset. Even if you want to treat everything as sort of billable hours this doesn't really make sense because the average boss's boss's isn't paid anywhere near 144x. If a SWE spends 100 hours to save their boss's boss one hour, they're wasting a ton of money.
It's when a woodworker, musician or painter completely outsources their work and just marks what's wrong, sending those parts back. Yes, the final art piece might be the same, but the artist definitely uses less of their "soul".
Shared memory of the past meant reserving a part of the memory for the GPU, which could then not be used or accessed by the CPU. If the CPU wanted to access something, it had to copy it from the GPU's section of the memory to its own. Unified memory means both just fully share the same memory.
The quill and ink at least communicates that it's about writing. The new one is so abstract that when I first looked at it I had no idea what I was even looking at, it certainly doesn't communicate "this is like word" to me. Without comparison to the previous icon, how many people do you think would understand that the bottom line is intended to be a stroke drawn by the pen?
I think you might be post-hoc rationalizing an emotional feeling, as clearly this meme is emotionally triggering to everyones nostalgia/pessimism nerve (hence why it went viral).
I'm 100% positive more people would guess the far left icon is a text editor compared to the far right icon. Not that I like the left icon aesthetically. Both are pretty weak icons.
Leftmost is probably a pen, rightmost is definitely a pen and specifically a fountain pen. I've never seen these icons before, and I'm trying to be the fairest I can, and I think rightmost wins at evoking "text editor". But the one exactly in the center wins by a mile. Pen on lined paper, hard to do better.
Same thought.
The one on the left just conveys "notes" to me. Middle actually seems to be about a more "well put together" document. A fountain pen by itself doesn't necessarily mean documents to me, but signing them.
The key thing is that you teach multiplication tables in a structured, incremental manner. Yes, it's just rote memorization, but the structure makes it way easier. You don't just dump all tables on the student at once and start quizzing them until they get it.
Imo not being able to select a subset of intervals to train heavily limits how useful this is.
Yes, that's exactly what I'm referring to. When you're using the direct Gemini API (AI Studio/Vertex), with specific tricks you can get the raw reasoning/CoT output of the model, not the summary.
Private equity will swoop in, bankrupt the company to shirk the debt of training / R&D, and hold on to the models in a restructuring. +Enshittification to squeeze maximum profit. This is why they're referred to as vulture capitalists.
With Blow the devil is simultaneously in the details and at the meta level.
For example in the Witness, which I consider one of the best puzzle games ever made, you get a fairly simple core mechanic, but the game builds upon it in very interesting ways. It feels like a journey of learning and always challenges you in some novel way at each step. There are also several revelations along the way, where you discover new layers on top of the core puzzles.
I would expect that this new game will feature similarly careful design.
I enjoyed the Witness for a while but I bounced off it pretty hard in the Mountain. It wasn’t until I watched a let’s play on YouTube that I learned there was a film room, a hidden cave complex under the mountain, a time trial, and other optional secrets. I can absolutely understand a certain type of gamer liking this but for me Talos Principle (both 1 and 2) is peak puzzle genre.
That said I’ll probably buy this game if it comes out next year.
I found them quite boring since they are all repetitions on the same theme - just drawing lines on a square. It could have been a mobile game. The world doesn't feel connected to the puzzles, and the exploration aspect of it could have been a completely separate game. It feels like two games glued together, which is IMO not a good design.
It's also not a game that's very demanding from a technical performance perspective, and really has very limited numbers of active entities / animations, so why should I care about his opinions on game architecture or anything else?
He hired a level designer who also wrote a Sokoban game. (Can’t remember the name, but it was free and web-based, IIRC.) That game had some really great, unique ideas in it, and I’d be shocked if the new Blow game was bog standard.
It was Jack Lance, who wrote Enigmash. Tragically, he died in 2023 at the age of 25. Jack Lance superlatively creative. I cannot find the words to express how much the world lost. I do not know of a finer puzzle designer.
interactions between the various mechanics in the games likely yield countless surprises, and let you build something considerably more elaborate than thesum of its parts..
The Puzzle Boy / Kwirk series of games is Sokoban-based, but has 3 different mechanics on top of that: turnstiles, pits (that can be filled by blocks), and blocks larger than 1x1. One of the things I love about it is that, each mechanic is interesting on its own, and each combination of mechanics results in levels with very different feels. Lots of puzzles with a bunch of mechanics try to throw tons of them into each level, and each level ends up feeling very samey. But judicious use of combinations can lead to a lot of interesting variety.
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